I personally enjoyed the way in which this story was told.
It’s told by showing the process of the book’s creation and Art tells us the
story as his father tells it to him. It’s a rather complex story about making a
story about the telling of a traumatic story that somehow works. The unique
method of storytelling throws in details of normal conversation and arguments
to really engage the reader. To me, reading this story felt more like I was participating
in the conversation rather than actually reading a scripted tale. Because of
this, the reader is more able to feel the trauma that Art and Vladek feel as
result to being first and second generation victims of the holocaust. Vladek is
noticeably different after surviving Auschwitz. His survival instinct consumes
everything he does for the rest of his life. Before the horror he was a good
caring husband for Anja. Any time she would show bouts of depression, he was
there to pick her back up. But Auschwitz changed him so he was no longer that
loving husband like before. His survival instinct caused him to hold onto
material items more than people. He could not throw anything away as it could
prove to be useful. He refused to waste food. Every bite to him should be eaten
and appreciated. It also made him stingy. It’s obvious in his old age that he
is a stingy old man but we really don’t get a glimpse of such selfishness in
his youth until he is stuck in the boxcar on page 246 (in the complete
version). Vladek is more than capable of grabbing snow to give to other suffering
prisoners but e refuses to without something in return. Before he would do good
deeds just for the sake of doing good for others. His ever present need to
survive dictates how he and his loved ones live their lives. The tense
atmosphere that surrounds him everywhere he goes depresses his wife and pushes
away his son. While his will to live is overpowering, Anja’s slips away and she
ends her life.
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